![]() History Before Final Fantasy VII Early life 5.2 Non- Final Fantasy guest appearances.In both titles, Cloud has the best all-around stats. In Final Fantasy VII Remake, Cloud's strength is in his raw damage output and his versatility, able to switch back-and-forth between the agile Operator Mode and the more offensive Punisher Mode that allows him to counterattack. In Final Fantasy VII, he has access to the most powerful weapons in the game, as well as the strongest Limit abilities (all of which involve his sword), though they take the longest to learn. He develops compassion for the planet and the people he fights to protect from the Shinra Electric Power Company and his nemesis, Sephiroth.Ĭloud Strife wields large broadswords in battle, including the iconic Buster Sword, and is a versatile melee combatant. Cloud later discovers more about his past and, with the help of his friends, learns there is more to being a hero than possessing physical strength and fame. Beneath his hardened outer persona is a softer, more caring individual who simply struggles to open up, but is striving to be a hero. He also appears in the spin-off games of the Compilation of Final Fantasy VII as a supporting character, including Dirge of Cerberus -Final Fantasy VII- and Crisis Core -Final Fantasy VII-.Īn arrogant and proud swordsman at first, Cloud introduces himself to Avalanche as a former member of an elite warrior unit called SOLDIER who has turned mercenary, and uninterested in anything beyond his hired task at hand. It is ever-growing and changing.Cloud Strife is the protagonist of Final Fantasy VII, Final Fantasy VII Remake, and Final Fantasy VII: Advent Children. I would describe my development as a natural evolving timeline rather than trying to learn a skill. “I have introduced the technique of creating coverage on my paintings with fast repetitive motions. I try a technique, often find that I don’t like it, but I stick with it until I make it my own,” Sylve said. “Every time I try to emulate others artist’s style, I don’t like the product. To that point, Sylve eschews formal training or mirroring the masters. “They emphasized the importance of not overthinking and letting the brush do the work.” “What resonated with me the most was that each of these artists found that their technique was best discovered when they let their natural instinct take over,” said Sylve. Creating art feels like my natural state.”Īn autodidact, Sylve reflects on watching films about renowned artists such as Frida Kahlo, Jean-Michel Basquiat, Francis Bacon, George Condo, and Pablo Picasso. My art journey developed merely through the comfort I derived from creating my work. My first medium was the pencil,” Sylve recalled. When I would feel uncomfortable and anxious I would start to scribble, and my parents shortly realized that the best outlet for me was art. “I started my art journey when I was three. There are myriad influences and inspirations swirling through Sylve’s imaginative and intricate paintings. Sylve subverts the archetypal businessman as a skeleton in a suit, staring directly at us as he pops in stark contrast to the lush saturated monochromatic backgrounds. ![]() Though unintentional, his Bonsai Businessman portraits hint at the colors and masks of Mardi Gras. Logan Sylve 'Bonsai Businessman 1' (2022)Gouache on paper 14 x 11 inches Chase Contemporary Sylve has spent time with family in Texas and the Southwest, and also borrows from his childhood growing up in Louisiana. The cowboy boots are an homage to the West and Western films. It’s unsurprising that this work involved multiple iterations, as it underscores how Sylve has quickly honed his style and technique. “The first iteration was inspired by feelings of sadness/unhappiness, but the final product came from a happy and positive place.” It changed form in tune with my emotional state as I was creating it,” Sylve said. “This piece has several underpaintings beneath it, and initially started out as a painting of a woman. Sylve’s emerging maturity as a painter is amplified here, with a composition that confidently sweeps the canvas. 72 x 100 inches Chase Contemporaryĭeliberate orange highlights around the crouching serpentine figure’s jawline, shirt cuffs, pant cuffs, and cowboy boot heels and soles, guide us around Smoke Break (2022), a monumental tour de force that steals the show, occupying a back wall of the gallery. Logan Sylve 'Smoke Break' (2022) Acrylic on canvas. ![]()
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